![]() ![]() My favorite innovation is the split-screen confessionals, so we can watch one woman explain herself while the other woman reacts to her insane rationalization in real-time.Īlso a good addition is Marco, who replaces Matthew as this season’s hot butler who is always wearing a mask. Just look at the diagram that Dorinda draws us of how all the women know each other, who has beef with each other, and just what they’re all doing at the manor. ![]() I don’t want to say the production values are better on this show, now in its second star-studded iteration, but there’s something about the way it’s put together that is fun, slick, and different from other Housewives programs. The song isn’t the only thing I love about a UGT experience. ![]() (I wouldn’t be shocked if the murder was somehow Cameo related.) Based on the characters that we know and love who have assembled at Dorinda Medley’s Blue Stone Manor, it is obvious that someone is going to die, and at the end we will find out who did it. This is basically Clue, but no one has throttled Yvette. The plucky strings play as we get a shot of each of the characters, all suspects, all potential victims.īecause what is this show other than a murder mystery? A bunch of strangers are all summoned by a mysterious figure holed up in a Tudor-revival New England estate. It has the poppy, orchestral feel of a “cozy murder” British import that you would watch on PBS’s Masterpiece. There are a lot of great things about this show - called Ex-Wives Club - but my absolute favorite is the theme music. ![]()
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